Poster Presentation & Demonstration: Aug. 26 (Tue) 10:40-12:30 2AM2 | (Last Revised: 08/08/24) | ||||||||||||||||
2AM2 | Room 7 (E207) | Room 8 (E215) | Room 9 (E216) | Room 10 (E306) | Room 11 (E307) | Room 12 (E312) | Room 13 (E313) | Rooms 16,
17, 18 (N242, N232, N244) |
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R07 | Musical Scales and
Melody Harmony and Tonality Timbre Psychophysics and Music Acoustics |
R08 | Rhythm and Timing Body Movement Memory |
R09 | Music Listening and
Preferences Development Performance Audio-Visual Interactions Psychoacoustics |
R10 | Emotional Aspects Rhythm and Timing |
R11 | Education Performance |
R12 | Performance Neuroscience |
R13 | Neuroscience | R16 R17 R18 |
Demonstration | ||
Rie Matsunaga (chair) | Noriyuki Takahashi (chair) | Teruo Yamasaki (chair) | Glenn Schellenberg (chair) | Yoko Ogawa (chair) | Takayuki Sasaki (chair) | Mariko Osaka (chair) | Masanobu Miura (chair) | ||||||||||
01 | Richard Parncutt, Daniela
Prem The Relative Prevalence of Medieval Modes and the Origin of the Leading Tone |
01 | Louis N. Vinke, J. Devin
McAuley Effects of Musical Training and Tapping the Beat on Perceived Complexity of a Rhythm |
01 | Brian A. Silvey Effects of Orchestration on Musicians' and Nonmusicians' Perceptions of Musical Tension |
01 | Danilo Ramos, Jose Lino
Oliveira Bueno, Emmanuel Bigand Music and Emotion: An Experimental Study on Emotional Responses from Musicians and Nonmusicians to Modal Musical Excerpts with Tempo Variation (cancel) |
01 | Scott D. Lipscomb, Dee
Lundell, Corey Sevett, Larry Scripp Rhythm and Reading: Improvement of Reading Fluency Using a Rhythm-Based Pedagogical Technique |
01 | Christopher Bartlette Effect of Harmonic Distance on Performance Expression |
01 | Miho Yamauchi, Takuya
Hayashi, Akihide Yamamoto, Hiroshi Sato, Hidehiro Iida Neural Mechanism of Melody Perception Revealed by Functional Magnetic Resonance Imaging |
R16-1 | Yoshitaka Nakajima Illusions Related to "Auditory Grammar": Ten Demonstrations in Musical Contexts |
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03 | Marco
Lehmann, Reinhard Kopiez The Impact of Uniqueness in Musical Scales on Mistuning Detection |
03 | Charles
Wigley, Janet Fletcher, Jane Davidson Examining the Relationship Between Phonological Skills and Temporal Processing in Very Young Children |
03 | Caroline
Davis Musicians' Transformations of the Listening Process: An Exploratory Study |
03 | Gunter
Kreutz, Laura Mitchell, John McDowall, Emery Schubert Cognitive Styles Influence Perceived Musical Coherence |
03 | Iwao
Yoshino Effects of Metacognitive Instruction on Thinking During Piano Practice in Experienced Pianists and Novices |
03 | Jin Hyun
Kim Pre-Symbolic Musical Expressiveness: A Case Study Related to the Performer's Expression in Singing (cancel) |
03 | Takashi X.
Fujisawa, Norman D. Cook Investigating the Perception of Harmonic Triads: An fMRI Study |
R17-1 | Densil
Cabrera, Emery Schubert, Farhan Rizwi, Sam Ferguson Collecting Continuous Data in Music and Listeners: PsySound3 and RTCRR, Two Free Resources |
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05 | Johanna
Devaney, Ichiro Fujinaga Assessing the Role of Sensory Consonance in Trained Musicians' Tuning Preferences |
05 | Bradley W.
Vines, Petr Janata Moving to Music: The Influence of Familiarity, Enjoyment, and Groove on Spontaneous Dance |
05 | Petri
Laukka Who Listens to What Music, and Why? Correlations Between Personality, Music Preferences, and Motives for Listening in a Sample of Older Adults |
05 | Etsuko
Hoshino Comparison Between Perceived Emotion and Felt Emotion in Music Listening: Analysis of Individual Difference and Musical Expertise by Use of Factor Score |
05 | Jane
Davidson, Andrea Lange, Bev McNamara, Sue Jenkins, Gill Lewin, Lorna
Rosenwax Stirling Silver: Understanding the Psychology of Group Singing for Health and Wellbeing |
05 | Ioulia
Papageorgi An Investigation into the Relationship Between Student Typologies and the Experience of Performance Anxiety in Adolescent Musicians |
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07 | Jose
Fornari, Tuomas Eerola Estimating the Perception of Complexity in Musical Harmony |
07 | Dirk
Moelants 'Notes Inegales' in Contemporary Performance Practice |
07 | Douglas
Lonie, Patrick West, Graeme Wilson Does Music Taste Last? A Mixed Methods Study of Music Taste Over the Youth-Adult Transition |
07 | Lauren
Velik, N.S. Rickard Therapeutic Forgetting? Relaxing Music Counters Hyperconsolidation of Emotionally Arousing Stimuli |
07 | Raymond
MacDonald, Lana Carlton, Katie Reid, Tom Bancroft, Cerin Richardson Music Provision in Young Children's Education: Scottish Perspectives |
07 | Shinichi
Furuya, Tomoko Aoki, Hidehiro Nakahara, Hiroshi Kinoshita Kinematics and Muscular Activity of Upper Extremity Movements in Piano Keystroke by Professional Pianists |
07 | Toshie
Matsui, Koji Kazai, Minoru Tsuzaki, Haruhiro Katayose Investigation of the Musician's Brain Activation During Different Music Listening Modes: A Near-Infrared Spectroscopy Study |
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09 | Hiroko
Terasawa, Patty Huang, Jonathan Abel, Jonathan Berger A Hybrid Model for Timbre Perception --- Part 2: The Texture of Sound |
09 | Jane
Ginsborg, Jenny Pitkin Long-Term Memory for Simple and Complex Music: Quantity and Quality of Practice |
09 | David W.
Gerry, Ashley Faux, Laurel J. Trainor The Effects of Kindermusik Training on Infants' Abilities to Encode Musical Rhythm |
09 | Hidehiro
Nakahara, Shinichi Furuya, Tsutomu Masuko, Satoshi Obata, Hiroshi
Kinoshita Emotion-Related Autonomic Nerve Activity with Musical Performance and Perception |
09 | Laura A.
Stambaugh, Steven M. Demorest The Effect of Contextual Interference on Instrumental Practice: An Application of a Motor Learning Principle |
09 | Shizuka
Uetsuki, Tatsuya Kakigi, Hiroshi Kinoshita, Kazumasa Yokoyama The Difference in Neural Correlates of Singing a Familiar Song and a Newly Learned Song: An fMRI Study |
09 | Reinhard
Kopiez, Niels Galley, Andreas C. Lehmann, Marco Lehmann, Hauke Egermann Non-Right-Handedness as a Neurophysiological Selection Variable in Musicians: The Influence of Early Beginning and Practice on the Incidence of Handedness |
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11 | Eriko Aiba,
Minoru Tsuzaki, Satomi Tanaka, Masashi Unoki Effects of Temporal Synchrony Between Two Sounds on Perceptual Impression Space and Its Relation to the Cochlear Delays |
11 | Jack D.
Birchfield, James C. Bartlett, Andrea R. Halpern Nameability: Can Unique Verbal Labels Improve Recollection of Music and Faces? |
11 | Minori
Saikawa, Kohei Washikita, Masashi Yamada A Perceptual Study on Asynchrony Between Auditory and Visual Stimuli: The Effect of Anticipation by Motion or Periodicity |
11 | Yuriko
Nakanishi, Takayuki Nakata Rhythm Play and Enhanced Emotional Sensitivity in Children |
11 | Keiko
Kamiyama, Kentaro Katahira, Dilshat Abla, Kazuo Okanoya Music Playing Enhances Auditory Memory Trace: Evidence from Event-Related Potentials |
11 | Sarah
Wilson, David Abbott, Anthony Waites, Regula Briellmann, Dean Lusher, Gaby
Pell, Jenni Ogden, Michael Saling, Graeme Jackson Comparing Cortical Networks Underpinning Singing with Lyrics and Propositional Language |
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13 | Alexandre
Torres Porres The Chromelodeon Scale: A Psychoacoustical Model of Roughness versus Harry Partch's One Footed Bridge |
13 | Freya
Bailes, Linda Barwick Memory for Tempo in Oral Music Traditions: Evidence for Absolute Tempo in Aboriginal Ceremonial Song? |
13 | Tetsuro
Kitahara, Masahiro Nishiyama, Hiroshi G. Okuno Computational Model of Congruency Between Music and Video |
13 | Yo Jung
Han, Sun-Hee Chang Steady Beat Production (SBP) with Various External Stimuli by 7th Grade Students |
13 | Takayuki
Nakata, Sandra E. Trehub Timing and Dynamics in Infant-Directed Singing |
13 | Michiko
Ono, Toshihiko Matsuka, Masakazu Iwasaka, Masaki Hara, You Nakayama Comparison Between Expert and None-Expert Pianists' Cognitive Processes in Piano Playing: Quantitative and Qualitative Studies |
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Poster Presentation & Demonstration: Aug. 27 (Wed) 10:40-12:30 3AM2 | |||||||||||||||||
3AM2 | Room 7 (E207) | Room 8 (E215) | Room 9 (E216) | Room 10 (E306) | Room 11 (E307) | Room 12 (E312) | Room 13 (E313) | Rooms 16,
17, 18 (N242, N232, N244) |
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R07 | Musical Scales and
Melody Harmony and Tonality Timbre Psychophysics and Music Acoustics |
R08 | Rhythm and Timing Body Movement Memory |
R09 | Music Listening and
Preferences Development Performance Audio-Visual Interactions Psychoacoustics |
R10 | Emotional Aspects Rhythm and Timing |
R11 | Education Performance |
R12 | Performance Neuroscience |
R13 | Neuroscience | R16 R17 R18 |
Demonstration | ||
Masakata Goto (chair) | Makiko Sadakata (chair) | Takayuki Nakata (chair) | Takashi Taniguchi (chair) | Bruno Gingras (chair) | Bradley Vines (chair) | Masayuki Satoh (chair) | Masanobu Miura (chair) | ||||||||||
02 | Zohar Eitan, Roni Y.
Granot Musical Parameters and the Classification of Melodic Motives |
02 | Yuki Murakami, Masanobu
Miura Automatic Classification of Drum-Rhythm Patterns Employed in Popular Music |
02 | John Whaley Peak Experience in Music Performance: An Investigation of the Precursors and Nature Among Choral Performers |
02 | Tuomas Eerola, Vinoo
Alluri, Rafael Ferrer Emotional Connotations of Isolated Instruments Sounds |
02 | Petri Laukka, Anders
Askenfelt, Kjetil Falkenberg Hansen, Svante Granqvist, Kahl Hellmer VEMUS: An Interactive Practicing Environment for Beginning Wind Instrument Students --- First Year of Evaluations |
02 | Noriyuki Takahashi, Yoko
Oura, Minoru Tsuzaki Analysis of the Tuning Process in the Accompaniments |
02 | Kosuke Itoh, Shugo
Suwazono, Tsutomu Nakada Cortical Processing of Consonance of Pure-Tone Dyads: An Evoked Potential Study |
R16-1 | Chikashi Fujimoto, Hiroo
Konaka, Takefumi Hayashi, Norman D. Cook "Seeing Harmony": A Computer Graphics System for Visualizing Harmony |
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04 | Rie Matsunaga, Jun-ichi
Abe Key Perception in Encountering a Non-Scale Tone |
04 | Makiko Sadakata, Alex
Brandmeyer, Renee Timmers, Akvile Miezlaiskyte, Peter Desain Longitudinal Study of Rhythm Tapping with Visual Feedback |
04 | Anna Rita
Addessi The Musical Dimension of Daily Routines with Under-Four Children |
04 | Kaori Iwai, Mayumi
Adachi Japanese College Students' Emotional Responses to J-POP-Like Songs on Physiological and Psychological Measures |
04 | Andrea Creech Teacher-Parent-Pupil Trios: The Impact of Interpersonal Interaction on Pupil Satisfaction, Enjoyment and Musical Attainment |
04 | Haruka Shoda, Toshie
Nakamura, Maria Raluca Draguna, Satoshi Kawase, Kenji Katahira, Shoko Yasuda,
Mayumi Adachi Emotional Communication of a Pianist's Intended Expression via Acoustical and Visual Information |
04 | Reiko Shiba, Kazuhiro
Hirai, Iku Nemoto Brain Activities Evoked by Musical Intervals in an Octave: Dissonant or Consonant |
R17-1 | Alexandre Torres
Porres A Psychoacoustical Toolbox for Sound/Music Analysis and Sound Design/Music Creation |
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06 | Hiroshi
Arao Ignore the First Chord, Just Appreciate the Second: Can Listeners Control the Predisposition to Process the Interrelationship Between Chords? |
06 | Takako
Mitsudo, Yoshitaka Nakajima, Gerard B. Remijn, Yoshinobu Goto, Shozo
Tobimatsu A Psychophysiological Approach to Auditory Temporal Assimilation |
06 | Adam
Ockelford The Impact of Severe Visual Impairment on Musical Development: A Comparison of Two Syndromes --- Retinopathy of Prematurity and Septo-Optic Dysplasia |
06 | Richard D.
Ashley Affective and Perceptual Responses to Very Brief Musical Stimuli |
06 | N.S.
Rickard, P. Appelman, R. James Increased Quality and Frequency of School-Based Music Program Has Limited Benefits on Self-Esteem and Social Skills |
06 | Kentaro
Katahira, Dilshat Abla, Sayaka Masuda, Kazuo Okanoya Auditory Feedback-Based Error Monitoring Processes During Musical Performance: An ERP Study |
06 | Tatsuya
Iwaki, Tomohiko Makimori The Time Needed to Make Decision for Musical Preference and EEG Activities |
R18-1 | Tomoyasu
Taguti Creating the Expression of Cantabile with Software |
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08 | Matthew
Woolhouse, Ian Cross Using Kolmogorov-Smirnov to Determine the Effect of Interval Cycles on the Formation of Krumhansl & Kessler's (1982) Tonal Hierarchies |
08 | Tommi
Himberg Measuring Co-Operability in Tapping Dyads |
08 | Ayako
Sakakibara A Longitudinal Study of the Process of Acquiring Absolute Pitch |
08 | Eduardo
Coutinho, Angelo Cangelosi Psycho-Physiological Patterns of Musical Emotions and Their Relation with Music Structure |
08 | Susanne
Gorges, Georg W. Alpers, Paul Pauli Differences and Common Features of Performance Anxiety During a Musical and a Non-Musical, Social Performance |
08 | Takako
Fujioka, Bernhard Ross Neuromagnetic Alpha Desynchronization Reflects Auditory Processing to Musical and Non-Musical Sound Differently in Children |
08 | Kari
Kallinen Frontal Brain Activation During Listening to Negative vs. Positive and High vs. Low Arousal Music: The Moderating Effects of Impulsivity and Neuroticism-Anxiety Dimensions of Personality |
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10 | Chihiro
Takeshima, Minoru Tsuzaki, Toshio Irino Sequential Grouping Based on Timbre: Effects of Differences in Size of Resonant Bodies |
10 | John R.
Iversen, Aniruddh D. Patel The Beat Alignment Test (BAT): Surveying Beat Processing Abilities in the General Population |
10 | Richard
Parncutt Towards an Ecological Evolutionary Psychoacoustics of Music |
10 | Shoko
Yasuda, Toshie Nakamura, Maria Raluca Draguna, Satoshi Kawase, Kenji
Katahira, Haruka Shoda Psychological Study of Strong Experiences in Listening to Music: Relationship Between Physical Reactions and Acoustic Features of the Music |
10 | Kenji
Katahira, Toshie Nakamura, Satoshi Kawase, Shoko Yasuda, Haruka Shoda, Maria
Raluca Draguna Effects of the Relationship Between Co-Performers' Body Movement on Coordination in Ensembles |
10 | Dilshat
Abla, Kentaro Katahira, Kazuo Okanoya Segmentation of Musical Sequence with Statistical Regularities: An Event-Related Potentials Study |
10 | Masayuki
Satoh Anterior Portion of Temporal Lobes Participates in the Perception of Chords: A PET Study |
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12 | Hugo Fastl,
Florian Volk Inharmonicity of Sounds from Electric Guitars: Physical Flaw or Musical Asset? |
12 | Jane
Davidson The Development of Coordination and Expression in Duo Performance: Body Movements in Focus |
12 | Yuma
Sakabe, Toshimitsu Katsuzaki, Masashi Yamada Effect of Music on the Performance and Impression in a Slot Game |
12 | Chiharu
Araki, Hiroshi Shimazaki, Akira Imai, Yoshimi Ito The Effect of Repetitive Music Listening for Days on Anxiety Reduction |
12 | Hyunhi Kim,
Jane Davidson, Viggo Pettersen The Relationship Between Body Types and Singers' Breathing in Classical Singing |
12 | Shiho
Miyazawa, Shozo Kojima The Brain Activation of Absolute Pitch Possessors: A Near-Infrared Spectroscopy Study |
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Poster
Presentation Aug. 29 (Fri) 11:00-12:50 5AM2 |
Poster
Presentation Aug. 29 (Fri) 14:10-16:00 5PM1 |
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Room 14 (E314 / Space 2) | Room 15 (E315 / Space 2) | Room 14 (E314 / Space 2) | Room 15 (E315 / Space 2) | ||||||||||||||
S02 | Music Therapy Evolutional Perspective Development Neuroscience and Disorders Computational Models and Analyses |
S02 | Music Listening and Preferences Development Methodology |
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Etsuko Hoshino (chair) | Hiromichi Mito (chair) | ||||||||||||||||
01 | Jie Ren, Xiaoping
Luo The Effect on Cognition and Ability by Learning to Play the Piano in Senior Year (cancel) |
13 | Kohei Adachi, Takayuki
Nakata Deficits in Detecting Pitch Violations in Music and Language in Patients with Right Temporal Lobe Lesion |
02 | Blas
Payri Perceived Fitness of Music and Film Genre: Color, Light, Style and Period Combinations |
14 | Patrick
C.M. Wong, Anil Kumar Roy, Elizabeth Hellmuth Margulis The Complex Dynamics of Repeated Musical Exposure |
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03 | S.R.
Toukhsati, G. King, L. Greenfield A Comparison of the Psychosocial Effects of Music Therapy, Animal-Assisted Therapy and a `Discussion Group' in Cognitively Intact, Elderly Participants |
15 | Hayato
Watanabe, Harumitsu Murohashi The Influence of Weak Central Coherence in Auditory Processing |
16 | Jose M.
Inesta, Pedro J. Ponce de Leon, Jose L. Heredia-Agoiz A Ground-Truth Experiment on Melody Genre Recognition in Absence of Timbre |
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05 | Julie C. De
Simone, Raymond MacDonald An Interpretative Phenomenological Analysis (IPA) Study of Musical Participation by Individuals with Mental Health Problems |
17 | Tohshin Go,
Yukuo Konishi Change of Movement and Behavior by Music in Patients with Rett Syndrome |
06 | Yulri
Nonaka, Kentaro Katahira, Reiko Shiba, Kazuo Okanoya Development of Infant Cry Acoustics: A Basis of Musical and Linguistic Skills |
18 | Gianna
Cassidy, Raymond MacDonald The Role of Music in Videogames: The Effects of Self-Selected and Experimenter-Selected Music on Driving Game Performance and Experience |
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07 | Wilfried
Gruhn Evolutionary and Neurobiological Foundations of Speech and Song Development |
19 | Yasushi
Konoki, Norio Emura, Masanobu Miura Chord Estimation Using Chromatic Profiles of Sounds Played by an Electric Guitar |
08 | Akio
Akasaka, Mayumi Adachi, Hitoshi Chino The Role of Musical Environment at Home in the Infant's Development (Part 1): Japanese Mother's Understanding and Practice of Taikyo and Its Effects on the Mother's Labor and the Infant's Development |
20 | Takashi
Taniguchi When do People Feel a Sense of Incongruity in Listening to Music? |
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09 | Izumi Kida,
Mayumi Adachi The Role of Musical Environment at Home in the Infant's Development (Part 2): Exploring Effects of Early Musical Experiences on the Infant's Physical and Motor Development During the First 2 Years |
21 | Charles
Hart, Michael Connolly Brady Jazzbot: An Anthropomorphic Music Cognition Research Tool |
10 | Mayumi
Adachi, Akio Akasaka, Izumi Kida, Shunsuke Kon-no The Role of Musical Environment at Home in the Infant's Development (Part 3): 3-Month-Olds' Responses to Music and Their Subsequent Motor Development |
22 | Junko
Matsumoto, Shoko Kobayashi Musical Trends Among Japanese Young People: The Boom of `J-Pop' |
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11 | Kumi Matsuda, Mayumi
Adachi The Role of Musical Environment at Home in the Infant's Development (Part 4): Japanese Mothers' Involvement in Music and Its Effects on Parenting |
23 | Junko Watanabe, Kaori
Watanabe, Norio Emura, Masanobu Miura, Masuzo Yanagida A System Generating Jazz-Style Chord Sequences for Solo Piano |
12 | Raymond
MacDonald, Paul Flowers, Jane Oakland, G.N. Caldwell, Julie C. De
Simone Interpretative Phenomenological Analysis and Music Psychology: An Overview |
24 | Manuela
Kerer, Josef Marksteiner, Elisabeth Weiss Short Term Memory for Music in Patients with MCI and Early Stage of Dementia |
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25 | Laurence
Pearce, Lassi A. Liikkanen MusicKiosk: When Listeners Become Composers --- An Exploration into Affective, Interactive Music |
26 | Takako Fujioka, Benjamin
Zendel, Bernhard Ross Thinking in Two vs. Three Beats: Metric Structure is Represented in Multiple Cortical Areas as Revealed by Magnetoencephalography in Skilled Musicians |
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