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(Last Revised: 2008/08/25) |
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| Day 1: Aug. 25 (Mon) |
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Room 1 (Auditorium) |
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Room 2 (E208) |
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Room 3 (E214) |
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Room 4 (E308) |
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Room 5 (E311) / Room 6
(En-Yu Lounge)* |
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9:15-11:30 |
Opening |
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Keynote Address
(Yoshitaka Nakajima (chair))
Jun-ichi Abe
Organization Processes in Music Perception |
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Keynote
Address
Ichiro Nakayama
Japanese Voices --- A Video Archive of Singing
Styles and Techniques in the Japanese Language |
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RENCON |
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Ainu performance |
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| 11:30-13:00 |
Lunch |
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| 13:00-15:00 |
1PM1 |
R01 |
Symposium
1 |
R02 |
Pitch |
R03 |
Rhythm,
Meter, and Timing I |
R04 |
Education
I |
R06 |
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| Laura
Ann Mitchell (organizer) |
Ian Cross (chair) |
Bruno Repp (chair) |
Sylvana Augustyniak
(chair) |
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****
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Symposium 1: Music and
Health: Empirical Investigations and Theoretical Constructs
Organizer: Laura Anne Mitchell
Discussant: Eugenia Costa-Giomi
Laura Mitchell, John McDowall, Raymond MacDonald
The Influence of Cognitive Style on Pain Relief Using
Preferred Music
Gianna Cassidy, Raymond MacDonald
Music and Videogame Play: The Effects of Self-Selected and
Experimenter-Selected Music on Performance and Experience
Douglas Lonie, Patrick West, Graeme Wilson
'It Just Makes Me Feel Better': Music and Emotional Health
Over the Youth-Adult Transition
Julie C. De Simone, Raymond MacDonald
A Mixed Methods Investigation into the
Effects of Music on Individuals with Dementia
Raymond MacDonald, Laura Mitchell
Researching the Relationship Between Music and Health: An
Overview of Published Research and Key Themes |
1 |
Keun-Ah Jeon, Suk Won Yi,
Kyungil Kim
The Correlation Between Absolute Pitch and
Adaptation to Transposed Keyboards |
1 |
Aniruddh D. Patel, John R.
Iversen, Micah R. Bregman, Irena Schulz, Charles Schulz
Investigating the Human-Specificity of
Synchronization to Music |
1 |
Frank Heuser, Scott D.
Lipscomb, Glenn Pohland
Learning Rhythm: The Impact of Visual Presentation |
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Rencon
Event*
(* Room 6: En-Yu Lounge) |
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2 |
David J.T.
Marco, Neil McLachlan, Sarah Wilson
Simultaneous Pitch Perception in Absolute and
Non-Absolute Pitch Possessors |
2 |
Anne
Danielsen, Carl-Haakon Waadeland, Henrik G. Sundt
Identifying Timing by Sound: Timbral Qualities of
Micro-Rhythm |
2 |
Katie Zhukov
Teaching Expressivity to Advanced Instrumentalists |
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3 |
Molly J.
Henry, J. Devin McAuley
Perceived 'Closeness' in Pitch Depends in Part on
Perceived 'Closeness' in Time: Further Support for an Auditory Motion
Hypothesis |
3 |
Peter
Desain, Renee Timmers
Stealing Time: How Grace Notes Can Be Added |
3 |
Yasuko
Murakami
The Significance of Qualitative Approach in the Research of Musical
Cognition: A Study Methodology Using the Concept of Inter-Subjectivity |
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4 |
A.
Seither-Preisler, L. Johnson, S. Seither, B. Luetkenhoener
Exposure to Ambiguous Tone Sequences Induces
Short-Term Plasticity in Pitch Perception |
4 |
Renee
Timmers, Peter Desain
Exploration and Imitation of the Timing of Grace
Notes |
4 |
Luis
Estrada-Rodriguez
73 Forms of Actions (Diverse Exercises) Included in
German Gehoerbildung-Books Published Between 1889 and 1983 |
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| 15:15-17:15 |
1PM2 |
R01 |
Symposium
2 |
R02 |
Memory |
R03 |
Performance I |
R04 |
Development I |
R05 |
Neuroscience I |
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| Graham
Frederick Welch (organizer) |
Elizabeth Hellmuth
Margulis (chair) |
Susan Hallam (chair) |
Sandra Trehub (chair) |
Edward Large (chair) |
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Symposium
2. Investigating Musical Performance: Aspects of Self
in Advanced Musical Learning Across Different Musical Genres
Organizer: Graham Frederick Welch
Discussant: Raymond MacDonald
Ioulia Papageorgi, Andrea Creech, Graham Frederick Welch
Investigating Musical Performance: A
Longitudinal Comparison of Advanced Musical Learners' Attitudes and
Perceptions Towards Musical Skills
Andrea Creech, Ioulia Papageorgi, Graham Frederick Welch
Subjective Values and Musical Self-Efficacy: The Relationship Between
Musical Self-Efficacy and Time, Effort, Perceived Relevance and Pleasure in
Musical Activities Amongst Undergraduate Music Students
Graham Frederick Welch, Ioulia Papageorgi, Andrea Creech
Musical Self, Genre, and Gender as Factors in Higher
Education Learning in Music
Margaret S. Barrett
Eminence Lessons: Eminent Composers' Perceptions of
Learning and Teaching Practices in Music Composition |
1 |
Kat R. Agres, Carol L.
Krumhansl
Musical Change Deafness: The Inability to Detect
Change in a Non-Speech Auditory Domain |
1 |
Peter Martens
Priming Preferred Tempo in Multi-Sectional Music |
1 |
Eugenia Costa-Giomi, Leslie
Cohen, Danielle Solan, Ashley Borck
Categorization of Melody During the First Year of
Life |
1 |
Takako Fujioka, Edward W.
Large, Laurel J. Trainor, Bernhard Ross
Time Courses of Cortical Beta and Gamma-Band
Activity During Listening to Metronome Sounds in Different Tempi |
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2 |
Crystal Peebles
The Effect of Timbre and Pitch Level on the Suzuki
Violin Student's Processing of Familiar Melodies |
2 |
Elaine
Chew, Alexandre R. J. Francois
MuSA.RT and the Pedal: The Role of the Sustain
Pedal in Clarifying Tonal Structure |
2 |
Pirkko A.
Paananen
Development of Tonal Organization: A Case Study in
Melodic Improvisation |
2 |
Kyung Myun
Lee, Erika Skoe, Nina Kraus, Richard D. Ashley
The Effect of Musical Training on the Subcortical
Processing of Musical Intervals |
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3 |
Andrea R.
Halpern, Daniel Mullensiefen, Geraint Wiggins
Modelling Memory Responses in a Melody Recognition
Task |
3 |
Masato
Kawakami, Tsutomu Fujinami
On the Effect of Performance Evaluation in
Acquiring Samba Rhythm |
3 |
Yohko
Shimada, Shoji Itakura
Origin of Singing; Infants' Vocalization in
Solitude |
3 |
Jessica A.
Grahn, James B. Rowe
Beat Initiation versus Continued Beat Perception:
The Role of Motor Areas in the Brain |
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4 |
Sherilene
M. Carr, N.S. Rickard
An Exploration of How Music Can Modify Long Term
Memory |
4 |
Yuriko
Kubota
A Pianist's Expression in the Role of Co-Performer:
Changes in Timing and Dynamics Through Communicative Interaction with a
Violinist |
4 |
Jane
Davidson, Paul Evans, Robert Faulkner, Gary E. McPherson
Music in Our Lives: An Investigation of Music
Learning Between 9--19 Years of Age |
4 |
Steven M.
Demorest, Steven J. Morrison, Laura A. Stambaugh, Munir N. Beken, Todd
Richards, Clark Johnson
fMRI Investigation of an Enculturation Effect Among
Western and Turkish Listeners |
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| 17:30-19:00 |
1PM3 |
R01 |
Social Interaction |
R02 |
Computational Models and
Analyses I |
R03 |
Psychoacoustics I |
R04 |
Perception of Musical
Structures |
R05 |
Music Listening I |
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| Reinhard
Kopiez (chair) |
Scott David Lipscomb
(chair) |
Minoru Tsuzaki (chair) |
Carol Krumhansl (chair) |
Elizabeth W. Marvin
(chair) |
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1 |
Jane Oakland, Raymond
MacDonald, Paul Flowers
Exploring Enforced Occupational Change in Opera
Singers: A Case Study Investigation into the Effects of Musical Identity in
the Context of Career Change |
1 |
Shinya Morita, Norio Emura,
Masanobu Miura, Seiko Akinaga, Masuzo Yanagida
Realizing Feature Exaggeration in Scale-Performance
on the Piano |
1 |
Satomi Tanaka, Minoru
Tsuzaki, Eriko Aiba, Hiroaki Kato
Sensitivity to Temporal Deviations on the Starting
Point or the Ending Point of "Frequency" Glides |
1 |
Michel Vallieres, Daphne
Tan, William E. Caplin, Joseph Shenker, Stephen McAdams
Beginnings, Middles, and Endings: The Effect of
Musical Parameters on the Perception of Intrinsic Formal Functionality |
1 |
Riitta Rautio
Metaphors of Motion in Listeners' Verbal Reports |
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2 |
G.N. Caldwell, Raymond
MacDonald, B. Duncan
Non-Musician Adult Perspectives on the Role of
Music in the Formation and Maintenance of Musical Identities: An
Interpretative Phenomenological Analysis (IPA) |
2 |
Masahiro
Niizuma, Masaki Matsubara, Hiroaki Saito
Development of an Automatic Basso Continuo Playing
System for Baroque Music Performers |
2 |
Blas Payri,
Jose-Luis Miralles-Bono
Factors Influencing Spatial Pattern Recognition in
a Musical Context |
2 |
Takayuki
Sasaki
Effects of Leading and Following Contexts on the
Music Sound Restoration |
2 |
Eri
Hirokawa
Factors Influencing Music Preference Among Japanese
Listeners Over 50 Years Old: Why do They Like Certain Songs? |
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3 |
Keiko
Teramura, Hideharu Okuma, Yuusaku Taniguchi, Shimpei Makimoto, Shin-ichi
Maeda
Gaussian Process Regression for Rendering Music
Performance |
3 |
Toru
Kamekawa, Atsushi Marui
On the Factors of the Spatial Impressions of
Reproduced Music in Surround Sound Comparing Recording Techniques |
3 |
Eunsil
Park
Children's Impression and Expression of Major,
Minor, Whole-Tone, and Korean Traditional Scales |
3 |
Johanna
Jobst, Sabine Boerner
The Enjoyment in Opera --- An Empirical Study of
Visitors' Experience in Music Theatre |
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| Day 2: Aug. 26 (Tue) |
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Room 1 (Auditorium) |
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Room 2 (E208) |
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Room 3 (E214) |
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Room 4 (E308) |
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Room 5 (E311) |
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8:30-10:30 |
2AM1 |
R01 |
Symposium 3 |
R02 |
Melody |
R03 |
Performance II |
R04 |
Emotion in Music I |
R05 |
Therapy |
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| Graham
Frederic Welch (chair) |
Andrzej Rakowski (chair) |
Yoko Oura (chair) |
Nikki Rickard (chair) |
Sarah Wilson (chair) |
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Symposium 3: Applying Music Psychology
Organizer: David
Hargreaves
Discussant: Scott Lipscomb
Hiromichi Mito
Learning Musical Skill Through Everyday
Musical Activities
Raymond MacDonald, Graeme Wilson
Musical Identities in Improvising
Musicians
Adam Ockelford
Towards a Music Curriculum
for Children with Complex Needs
David J. Hargreaves
Music Psychology: Developments and Applications (cancel)
To be presented as oral session of three papers. |
1 |
Daniel Mullensiefen,
Geraint Wiggins
Polynomial Contour as a Core Feature for
Representing Melodies |
1 |
Sebastian Flossmann,
Maarten Grachten, Gerhard Widmer
Experimentally Investigating the Use of Score
Features for Computational Models of Expressive Timing |
1 |
David Huron
Why do Listeners Enjoy Music That Makes Them Weep? |
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2 |
Marcus T.
Pearce, Daniel Mullensiefen, Geraint Wiggins, Klaus Frieler
Perceptual Segmentation of Melodies: Ambiguity,
Rules and Statistical Learning |
2 |
Manfred Clynes
Chopin's Rubato: A Solution |
2 |
Kenta Shoji, Masashi
Yamada
Construction of a Quantitative Scale for
Cheerfulness of Short Melodies |
2 |
M. Lynch,
S.R. Toukhsati, D. O'Connor, M. Thaut, P.C. Bennett, B. Barber
The Effects of Music Therapy on Declarative Memory
Processes in Moderately Impaired Dementia Populations |
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3 |
Juan
Fernando Anta
Pitch Space Processing and Melodic Expectancies in
Tonal and Atonal Contexts |
3 |
Maarten Grachten, Werner
Goebl, Sebastian Flossmann, Gerhard Widmer
Intuitive Visualization of Gestures in Expressive
Timing: A Case Study on the Final Ritard |
3 |
Hauke
Egermann, Oliver Grewe, Reinhard Kopiez, Eckart Altenmuller
The Influence of Social Feedback on the Emotional
Effects of Music |
3 |
R. Kharsas,
S.R. Toukhsati, D. O'Connor, M. Thaut, P.C. Bennett, B. Barber
The Effects of Music Therapy, Animal-Assisted
Therapy and Diversional Therapy on Attention and Memory Processes of
Individuals with Probable Alzheimer's Dementia |
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4 |
Terumi
Narushima, Greg Schiemer, Emery Schubert, Richard Parncutt
Recognition of Microtonal Musical Intervals by
Performers and Composers
(cancel) |
4 |
Johan
Bjurling, Roberto Bresin
Timing in Piano Music --- Testing a Model of Melody
Lead |
4 |
Joanna
Kantor-Martynuska
Construction and Validation of a Music-Directed
Attention Scale (MDAS): A Preliminary Study |
4 |
Irene
Eunyoung Lee, Charles-Francois Latchoumane, Jaeseung Jeong
An Empirical Study of Proactive Multimedia Therapy
Contents for Public: Production Design and Cognitive Response Measurements |
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| 10:40-12:30 |
2AM2 |
Poster Presentation & Demonstration |
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| 12:30-13:30 |
Lunch |
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| 13:30-15:30 |
2PM1 |
R01 |
Symposium
4 (invited) |
R02 |
Rhythm,
Meter and Timing II |
R03 |
Music
Listening II |
R04 |
Emotion in
Music II |
R05 |
Education
II |
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| Ken'ichi
Miyazaki (organizer) |
John R. Iversen (chair) |
Kate J. Stevens (chair) |
Petri Laukka (chair) |
Graham Frederick Welch
(chair) |
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Symposium 4
(Invited): Absolute Pitch and its Implications for
Music Perception and Cognition
Organizer: Ken'ichi Miyazaki
Discussant: Carol Krumhansl
Andrzej Rakowski, Piotr Rogowski, Sylwia Makomaska
Absolute Pitch as a Measuring Device in Psychoacoustic
Experiments
Elizabeth W. Marvin, Elissa L. Newport
Statistical Learning in Language and
Music: Absolute Pitch Without Labeling
Sandra E. Trehub
Developmental Perspectives on Pitch Memory
David Huron
On the Mental Representation of Pitch:
Lessons from Absolute Pitch |
1 |
Olivia Ladinig, Henkjan
Honing
An Empirically Validated Model of Complexity:
Longuet-Higgins and Lee Reconsidered |
1 |
Inbar Rothschild, Zohar
Eitan
How Music Touches: The Effects of Pitch, Loudness,
Timbre and Vibrato on Listeners' Audiotactile Metaphorical Mappings |
1 |
Suvi Saarikallio
Cross-Cultural Investigation of Adolescents' Use of
Music for Mood Regulation |
1 |
Anna Rita Addessi, Felice
Caurgati
The Social Representations of Music, Musicality,
Music Child and General Teachers |
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2 |
Makoto
Tanji, Daichi Ando, Hitoshi Iba
Musical Rhythm Parsing Using Mixture Probabilistic
Context-Free Grammar |
2 |
Doris
Grillitsch, Richard Parncutt
The Effect of Music Listening on Spatial Skills:
The Role of Processing Time |
2 |
Jukka
Louhivuori
Strong Emotional Experiences in Choir Singing --- A
Cross-Cultural Approach |
2 |
Maija
Fredrikson, Pirkko A. Paananen
Mobile Music for Children --- Experiences of
MobiKid |
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3 |
Taiki
Ogata, Takeshi Takenaka, Kanji Ueda
Role of Partner's Feedback Information in Rhythm
Production |
3 |
Hiroshi Kawakami
Continuous Measurement of Musical Impression by the
Color Image |
3 |
Emery Schubert
Orientation Effect in Continuous Emotional Response
Tasks |
3 |
Susan
Hallam
Differences in Conceptions of Musical Ability |
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Bruno H.
Repp, Justin London, Peter E. Keller
Phase Correction in Sensorimotor Synchronization
with Non-Isochronous Rhythms |
4 |
Marco
Lehmann, Reinhard Kopiez
Aesthetic Reactions to Music in Elementary School
Children: Revisiting the Open-Earedness Hypothesis |
4 |
Richard D. Ashley
Evaluating Structure and Performance: Relationships
Between Judgments of Tension, Emotion, Expression, and Interest in Different
Musical Performances |
4 |
Sylvana
Augustyniak
The Impact of Formal and Informal Learning on
Students' Compositional Processes |
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| 15:45-17:45 |
2PM2 |
R01 |
Symposium 5 |
R02 |
Rhythm, Meter and Timing
III |
R03 |
Performance III |
R04 |
Education III |
R05 |
Computational Models and
Analyses II |
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| Patricia
M. Gray (organizer) |
Renee Timmers (chair) |
Marek Franek (chair) |
Susan Hallam (chair) |
Roger Dean (chair) |
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Symposium 5: Musical Dynamics as
Adaptive, Flexible Behavior: The Emergence of Meaning and Social Life
Organizer: Patricia M. Gray
Discussants: Ian Cross, Laurel J. Trainor
Edward W. Large, Marc J. Velasco, Patricia M. Gray
Rhythmic Analysis of Musical Interactions Between Bonobo
and Human
Patricia M. Gray, Ryan Daniels
Musicking and Culture Creation: Sound and Time as Agents of
Social Cohesion
Paul J. Thibault
Norms, Co-Constructed Body Dynamics, and Interaction in
Bonobos and Humans
James D. Benson, William Southworth Greaves, Ashley Watkins
Musical Representation by a Bonobo Resulting from the
Assimilation of Meaning Through Bonobo-Human Dialogic Interaction |
1 |
William F. Thompson, Linda
Sigmundsdottir, John R. Iversen, Aniruddh D. Patel
Selective Rhythmic Impairments in Music |
1 |
Sofia Dahl, Michael
Grossbach, Eckart Altenmuller
Influences of Movement and Grip on Perceptual and
Measured Tone Quality in Drumming |
1 |
Tiija Rinta, Susan
Hallam
Exploring Children's Understanding of Music Through
the Use of Drawings and Interviews |
1 |
Tomoyasu Nakano, Jun Ogata,
Masataka Goto, Yuzuru Hiraga
Analysis and Automatic Detection of Breath Sounds
in Unaccompanied Singing Voice |
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2 |
Jessica
Phillips-Silver, Isabelle Peretz, Nathalie Gosselin, Petri Toiviainen,
Olivier Piche
Does
Amusic Mean Unmusical? |
2 |
Mary Broughton, Catherine
Stevens, Emery Schubert
Continuous Self-Report of Engagement to Live Solo
Marimba Performance |
2 |
James M. Renwick, Gary E.
McPherson, John McCormick
Defining Relationships Between Motivational Beliefs
and Self-Regulated Practising Behaviours Using a Structural Equation Model (cancel) |
2 |
Yuriko
Hoteida, Yuichi Aizawa, Takeshi Takenaka, Kanji Ueda
Composition Model of Modal Melody Based on the
"Core Note" Concept |
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3 |
Emi Hasuo,
Yoshitaka Nakajima
Effects of Marker Durations on the Perception of
Inter-Onset Time Intervals |
3 |
Kiyomi
Toyoda, Tsutomu Fujinami
An Effective Singing for Musical Expressions |
3 |
Yoko Ogawa, Tadahiro Murao,
Esther Ho Shun Mang
Developing a Music Aptitude Test for Schoolchildren
in Asia |
3 |
Michael
Connolly Brady
A Spectral Timing Mechanism pour L'ART |
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4 |
Leigh M. Smith, Henkjan
Honing
A Multiresolution Model of Rhythmic Expectancy |
4 |
Dirk
Moelants
Hype vs. Natural Tempo: A Long-Term Study of Dance
Music Tempi |
4 |
Richard
Parncutt, Nicola Dibben, Margit Painsi, Manuela Marin
The Professional Relevance of Music Psychology: An
Internet Survey |
4 |
Christian
Onyeji
A Theory of `Four' in Igbo Culture and Its
Application in the Harmonic Structures of Oral and Written Musical
Compositions |
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| 18:00-19:00 |
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Keynote
Address
(Yuzuru Hiraga (chair))
Laurel J. Trainor
The Origins of Rhythm in Movement |
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| Day 3: Aug. 27 (Wed) |
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Room 1 (Auditorium) |
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Room 2 (E208) |
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Room 3 (E214) |
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Room 4 (E308) |
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Room 5 (E311) / Room 6
(En-Yu Lounge)* |
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8:30-10:30 |
3AM1 |
R01 |
Symposium
6 |
R02 |
Timbre I |
R03 |
Computational
Models and Analyses III |
R04 |
Memory and
Imagery |
R05 |
Performance
IV |
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| Elvira
Brattico (organizer) |
Reinhard Kopiez (chair) |
Petri Toiviainen (chair) |
Annabel Cohen (chair) |
Jane W. Davidson (chair) |
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****
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Symposium 6: Aesthetic Evaluation and Cognitive Classification of Music
in Experts and Laymen --- Behavioral and Electrophysiological Data
Organizer: Elvira Brattico
Discussants: David J. Hargreaves (cancel), Tuomas Eerola
Kjetil Falkenberg Hansen, Roberto Bresin
Verbal Description of DJ Recordings
Sirke Nieminen, Eva Istok, Elvira Brattico, Mari Tervaniemi
The Development of Aesthetic Responses
to Music and Their Conceptual Basis
Mira Muller, Lea Hofel, Elvira Brattico, Thomas Jacobsen
The Electrophysiology of Aesthetic Music Processing: Comparing Music
Experts with Laymen
Elvira Brattico
Brain Oscillatory Responses of Musical
Style Classification in Orchestral Musicians |
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1 |
Tetsuro Kitahara, Makiko
Katsura, Haruhiro Katayose, Noriko Nagata
Computational Model for Automatic Chord Voicing
Based on Bayesian Network |
1 |
Steven J. Morrison, Steven
M. Demorest, Laura A. Stambaugh
Enculturation Effects in Music Cognition: The Role
of Age and Music Complexity |
1 |
Peter E. Keller, Mirjam
Appel
Coordination of Body Movements and Sounds in
Musical Ensemble Performance |
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2 |
Steve
Everett
Auditory Roughness in East Asian Hybrid
Compositions |
2 |
Justin de
Nooijer, Frans Wiering, Anja Volk, Hermi J.M. Tabachneck-Schijf
An Experimental Comparison of Human and Automatic
Music Segmentation |
2 |
Terry
Clark, Aaron Williamon
Beyond the Betts: Exploring Ecologically Valid
Methods for Assessing Musicians' Imagery Abilities |
2 |
Lena
Nowicki, Peter E. Keller
The Influence of Another's Actions on One's Own
Synchronization with Music |
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3 |
Michel
Bernays, Caroline Traube
Can Pianists Recognize and Consistently Label
Gesture-Controlled Timbre Nuances from Hearing Only the Sound? |
3 |
Ichiro
Fujinaga, Cory McKay
ACE: Autonomous Classification Engine |
3 |
Lassi A.
Liikkanen
Music in Everymind: Commonality of Involuntary
Musical Imagery |
3 |
Neta Spiro,
Nicolas Gold, John Rink
Plus Ca Change: Analyzing Performances of Chopin's
Mazurka Op. 24 No. 2 |
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4 |
Hiroko Terasawa, Jonathan
Berger
A Hybrid Model for Timbre Perception --- Part 1:
The Color of Sound |
4 |
Raymond Whorley, Marcus T.
Pearce, Geraint Wiggins
Computational Modelling of the Cognition of
Harmonic Movement |
4 |
T.C. Chin, N.S.
Rickard
Music Engagement Predicts Verbal Memory as
Effectively as Musicianship |
4 |
Geoff
Luck
Spatio-Temporal Cues for Synchronization with
Conductors' Gestures |
|
|
|
| 10:40-12:30 |
3AM2 |
Poster Presentation & Demonstration |
|
|
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| 12:30-13:30 |
Lunch |
|
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|
| 13:30:15:30 |
3PM1 |
R01 |
Symposium
7 |
R02 |
Timing and
Performance |
R03 |
Music
Listening III |
R04 |
Emotion in
Music III |
R06 |
Symposium
8 (* Room 6: En-Yu Lounge) |
|
|
|
| Gunter
Kreutz (organizer) |
Ichiro Fujinaga (chair) |
Emery Schubert (chair) |
Petri Laukka (chair) |
Mitsuyo Hashida
(organizer) |
|
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|
****
**
**
**
** |
Symposium 7. Music and Health: A
Paradoxical Relationship
Organizer: Gunter Kreutz
Discussant: Laura A. Mitchell
Gunter Kreutz
Does Partnered Dance Promote Health?
Cynthia Quiroga-Murcia
Effects of Tango Dancing on Testosterone, Cortisol and
Emotional State
Stephan Bongard, Volker Hodapp, Franziska
Langendoerfer
Stress in the Orchestra:
Interrelationships of Personality, Performance Situation, Performance Anxiety
and Coping Strategies (cancel)
Jane Ginsborg, Gunter Kreutz, Mike Thomas, Aaron Williamon
Health Problems, Health-Promoting
Behaviours and Their Effects on Music Performance and Non-Music Performance
Students in Higher Education Institutions
|
1 |
Tomoko Hashida, Takao
Sato
Accuracy in Time-Interval Production with
Contextual Sequences : A Comparison Between Trained and Untrained People |
1 |
Sun-Hee Chang, Eddy
Chong
Musical Preferences of Secondary and Post-Secondary
Students in Singapore |
1 |
Roni Y. Granot, Zohar
Eitan
Dynamic Auditory Parameters and Perceived Musical
Tension |
****
** |
Symposium 8. Rencon: Performance
Rendering Contest for Automated Music Systems
Organizer: Mitsuyo Hashida
Teresa M. Nakra
Musical Analysis of Conducting Gestures
Using Methods from Computer Vision
Panel Discussion
Moderator: Haruhiro Katayose
Panelists: Roberto Bresin, Teresa M. Nakra, Manfred Clynes
Commendation Ceremony (Rencon Award)
(* Room 6:
En-Yu Lounge) |
|
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2 |
Olivier
Lartillot, Tuomas Eerola, Petri Toiviainen, Jose Fornari
Multi-Feature Modeling of Pulse Clarity from Audio |
2 |
Hasan
Gurkan Tekman, Gaye Goklu, Vuslat Saglam
Relations Between Music Preferences, Personality
Characteristics and Values in a Turkish Sample |
2 |
Marina
Korsakova-Kreyn, W. Jay Dowling, Joseph Dunlop
Affective Response to Tonal Modulation
(cancel) |
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3 |
Michiko
Yoshie, Takeshi Hirano, Akito Miura, Kazutoshi Kudo, Tatsuyuki Ohtsuki
Effects of Physiological Arousal on Performing
Tempo and Artistic Expression in Pianists |
3 |
Marek
Franek
Music Preference and Sensation Seeking Tendency in
Various Age Groups |
3 |
Don Knox,
Gianna Cassidy, Scott Beveridge, Raymond MacDonald
Music Emotion Classification by Audio Signal
Analysis: Analysis of Self-Selected Music During Game Play |
|
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| |
|
4 |
Marc R.
Thompson, Geoff Luck
Effect of Pianists' Expressive Intention on Amount
and Type of Body Movement |
4 |
Greg Dunn, Boris de
Ruyter
Relating Personality to Reported Music Preferences
and Listening Behaviour |
4 |
Renzo Vitale, Roberto
Bresin
Emotional Cues in Knocking Sounds |
|
|
|
| 15:45-17:15 |
3PM2 |
R01 |
Symposium
9 |
R02 |
Development
II |
R03 |
Audio-Visual
Interaction |
R04 |
Music and
Language |
R05 |
Harmony
and Tonality I |
|
|
|
| Petri
Toiviainen (organizer) |
Sandra Trehub (chair) |
Shinichiro Iwamiya (chair) |
Meagan E. Curtis (chair) |
Carol Krumhansl (chair) |
|
|
|
|
|
****
**
**
** |
Symposium 9. Musical Emotions: Effect of
Structural and Performance Cues
Organizer: Petri Toiviainen
Discussant: Isabelle Peretz
Roberto Bresin, Anders Friberg
Influence of Acoustic Cues on the Expressive Performance of
Music
Eva Istok, Mari Tervaniemi, Anders Friberg, Uwe Seifert
Effects of Timing Cues in Music Performances on Auditory
Grouping and Pleasantness Judgments
Tuomas Eerola
Mapping Musical Features to Perceived Emotions Using
Partial Least Squares Regression |
1 |
Nozomi Azechi
Young Children's Rhythmic Behaviour in Singing: The
Influence of Mother Tongue on Their Development |
1 |
Scott D. Lipscomb, Guerino
Mazzola
Experiencing Musical Performance: The Effect of a
Visual Component on Appreciation of Complex Musical Sound |
1 |
L. Robert Slevc, Jason C.
Rosenberg, Aniruddh D. Patel
Language, Music, and Modularity: Evidence for
Shared Processing of Linguistic and Musical Syntax |
1 |
Benjamin Anderson, Richard
D. Ashley
Revisiting Local versus Global Processing of
Cadences in the Solution of Musical Puzzles |
|
|
|
|
|
2 |
Laurel J.
Trainor, Chao He
Development of Pitch Processing in Auditory Cortex
Between 2 and 4 Months of Age |
2 |
Siu-Lan
Tan, Matthew P. Spackman, Elizabeth Wakefield
The Effects of Diegetic and Non-Diegetic Music on
Viewers' Interpretations of Film |
2 |
Ghofur
Eliot Woodruff
Towards an Ecological Theory of Musical Semantics |
2 |
Martin Rohrmeier, Ian
Cross
Statistical Properties of Tonal Harmony in Bach's
Chorales |
|
|
|
| |
|
3 |
Susan
Young
A Day in the Life Project: Everyday Musical
Experiences Among Two Year Old Girls in Seven Different Locations |
3 |
Masashi Yamada
The Effect of Music on the Fear Emotion in the
Context of a Survival-Horror Video Game |
3 |
Uwe
Seifert
Cognitive Musicology, Automata Theory, and the
Empirical Testability of the Language and Music Faculty Hypothesis
(cancel) |
3 |
Matthew
Woolhouse, Martin Rohrmeier
Is There a Relationship Between Pitch Attraction
and Generative Grammar in Western Tonal Music? |
|
|
|
| 17:30-19:00 |
3PM3 |
|
YRA
Presentation
(Mayumi Adachi (chair))
The award winners: Bruno Gingras and Bradley W. Vines.
Their presentation
titles are given right. |
Bruno Gingras, Tamara Lagrandeur-Ponce, Bruno
L. Giordano, Stephen McAdams
Effect of Expressive
Intent, Performer Expertise, and Listener Expertise on the Perception of
Artistic Individuality in Organ Performance
Bradley W. Vines, Andrea C. Norton, Gottfried
Schlaug
Stimulating Music:
Combining Singing with Brain Stimulation to Help Stroke Victims Recover
Speech |
|
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|
|
|
| Day 4: Aug. 28 (Thu) |
|
Room 1 (Auditorium) |
|
Room 2 (E208) |
|
Room 3 (E214) |
|
Room 4 (E308) |
|
Room 5 (E311) |
|
|
|
| |
8:30-10:30 |
4AM1 |
R01 |
Symposium
10 |
R02 |
Timbre II |
R03 |
Performance
V |
R04 |
Neuroscience
II |
R05 |
Body
Movement |
|
|
|
| Scott
David Lipscomb (organizer) |
Minoru Tsuzaki (chair) |
Haruhiro Katayose (chair) |
Jessica A. Grahn (chair) |
Richard Parncutt (chair) |
|
|
|
|
|
****
**
**
**
** |
Symposium 10. Experiencing Musical
Multimedia: Empirical Investigations of Cross-Modal Perception &
Cognition
Organizer: Scott David Lipscomb
Discussant: John Hajda
Roger A. Kendall
Stratification of Musical and Visual Structures II: Visual
and Pitch Contours
Zohar Eitan, Assi Schupak, Lawrence E. Marks
Louder is Higher: Cross-Modal
Interaction of Loudness Change and Vertical Motion in Speeded Classification
Annabel J. Cohen, Yee-May Siau
The Narrative Role of Music in Multimedia Presentations: The
Congruence-Association Model (CAM)
of Music and Multimedia
Shin-ichiro Iwamiya
Subjective Congruence Between Moving
Picture and Sound |
1 |
C. Fritz, A.F. Blackwell,
Ian Cross, B.C.J. Moore, J. Woodhouse
Investigating English Violin Timbre Descriptors |
1 |
Michael J.
Hove, Jane L. Risen
It's All in the Timing: Interpersonal Synchrony
Increases Affiliation |
1* |
Rebecca
Sussex, Sarah Wilson, David Reutens
Investigating the Language and Music Lexicons Using
Repetitive TMS |
1 |
L. De Bruyn, M. Leman, Dirk
Moelants
Quantifying Children's Embodiment of Musical Rhythm
in Individual and Group Settings |
|
|
|
|
|
2 |
Chen-Gia
Tsai, Shwu-Fen Wang, Yio-Wha Shau, Tzu-Yu Hsiao
Aggressiveness of the Growl-Like Timbre: Acoustical
Features and Biomechanical Mechanisms |
2 |
Makiko
Sadakata, Alex Brandmeyer, Renee Timmers, Peter Desain
The Visual Feedback System with Interactive
Contrast Training for Fluent Finger Piano Exercises |
2 |
Jun-ok Kim,
Moo Kyoung Han, Dongil Chung, Yeojeong Choi, Jaeseung Jeong
Does Program Music Induce Visual Imagery Better
Than Absolute Music? --- An EEG Study |
2 |
Petri Toiviainen, Geoff
Luck, Marc R. Thompson
Spontaneous Movement with Music: Searching for
Common Kinetic Patterns |
|
|
|
|
|
3 |
Michael
Oehler, Christoph Reuter
Perception of Wind Instrument Vibrato Sounds |
3 |
Hiroshi Kinoshita, Satoshi
Obata
Fingering Forces in Violin Playing |
3 |
Dana
Strait, Nina Kraus, Erika Skoe, Richard D. Ashley
Musical Experience Influences Subcortical Encoding
of Pitch, Timing and Timbre in Vocal Expressions of Emotion |
3 |
Catherine Stevens,
Christian Kroos, Shaun Halovic, Johnson Chen, Emery Schubert, Shuai Wang, Kim
Vincs, Julien Tardieu, Garth Paine
Analysis of Contemporary Dance Movement in the
Presence and Absence of a Musical Soundscape |
|
|
|
| |
|
4 |
Werner
Goebl, Ichiro Fujinaga
Do Key-Bottom Sounds Distinguish Piano Tones? |
4 |
Reinhard Kopiez, Marco
Lehmann, Christian Kopp
The Influence of the Stage Show on the Evaluation
of Rock Guitar Performance |
4 |
Tien-Lin
Wu, Yuna-Pin Lin, Shyh-Kang Jeng, Jyh-Horng Chen
Automatic Movie Themes Playlist Generation Through
Gaps Across Emotion Loci and Curve of GAEL versus Preference |
4 |
Keiko
Asakura
The Role of the Body Movement in Listening to a
Musical Composition |
|
|
|
| 10:40-12:40 |
4AM2 |
R01 |
Symposium
11 (invited) |
R02 |
Harmony
and Tonality II |
R03 |
Music
Listening IV |
R04 |
Emotion in
Music IV |
R05 |
Neuroscience
III |
|
|
|
| Kazuo
Okanoya (organizer) |
Kengo Ohgushi (chair) |
David Huron (chair) |
Roger Kendall (chair) |
Isabelle Peretz (chair) |
|
|
|
|
|
****
**
**
**
** |
Symposium 11 (Invited). Animal Calls,
Music, and Language: Search for Common Themes in Evolution
Organizer: Kazuo Okanoya
Discussants: Kazutoshi Sasahara, Ryo Oda
Aniruddh D. Patel, Adam T. Tierney, Frank A. Russo
Empirical Comparisons of Pitch Patterns
in Music, Speech, and Birdsong
Kazuo Okanoya, Miki Takahasi, Noriko Kudo
Vocal-Auditory Segmentation of Sound
Sequence in Songbirds and Human Babies
Yoichi Inoue, Shigeto Yosida, Kazuo Okanoya
Gibbon Song Syntax Decodes Behavioral
Contexts
Thomas Geissmann
Song-Diversity in a Gibbon Species: The Silvery Gibbon
(Hylobates Moloch) from Java (Indonesia) |
1 |
Ludger J.
Hofmann-Engl
Virtual Pitch and the Classification of Chords in
Minor and Major Keys |
1 |
Elizabeth Hellmuth
Margulis
Linguistic Description and Musical Experience |
1 |
Kyungil Kim, Sung Yub Kim,
Yang-Eon Kim
Individual Difference in Music Perception: The
Influence of Personality and Cognitive Style on the Perception of Musical
Melodies |
1 |
Heather L. Chapin, Edward
W. Large
Affective Responses to Music Performance: An fMRI
Study |
|
|
|
|
|
2 |
Craig
Stuart Sapp
Key-Profile Comparisons in Key-Finding by
Correlation |
2 |
Morwaread Farbood
A Global Model of Musical Tension |
2 |
Anita Taschler, Richard
Parncutt
An Intercultural Study of Ecstasy and Trance in
Music |
2 |
Norman D.
Cook
fMRI Study of Diatonic Triads |
|
|
|
|
|
3 |
Marc J.
Velasco, Edward W. Large
Nonlinear Time-Frequency Transformation:
Implications for Pitch & Tonality |
3 |
Dorottya
Fabian, Emery Schubert, Richard Pulley
The Nature of Stylish Expressiveness in Performing
Baroque versus 19th-Century Music |
3 |
Meagan E. Curtis, Jamshed
J. Bharucha
The Minor Third Communicates Sadness in Speech and
Music |
3 |
Andreas A.
Ioannides, Armen Sargsyan, Marotesa Voultsidou, Mari Aoki
Focal Activations and Properties of Functional
Brain Networks Derived from MEG Data While Listening to Music |
|
|
|
| |
|
4 |
Matthias
Mauch, Daniel Mullensiefen, Simon Dixon, Geraint Wiggins
Can Statistical Language Models be Used for the
Analysis of Harmonic Progressions? |
4 |
Anil Kumar
Roy, Elizabeth Hellmuth Margulis, Patrick C.M. Wong
Bimusicality: A Dual Enculturation Effect on
Non-Musicians' Musical Tension and Memory |
4 |
Freya
Bailes, Roger T. Dean
The Perception of Structure and Affect in
Contemporary Sound-Based and Serial Compositions as a Function of Musical
Expertise, Liking and Familiarity |
4 |
Rebecca S.
Schaefer, Marcos Perreau Guimaraes, Peter Desain, Patrick Suppes
Detecting Imagined Music from EEG |
|
|
|
| 12:40-13:40 |
Lunch |
|
|
|
| 13:40-15:30 |
4PM1 |
|
ICMPC
General Meeting |
|
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|
|
| Day 5: Aug. 29 (Fri) |
|
Space 1 |
|
Space 2 |
|
Atrium 1 |
|
Atrium 2 |
|
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| |
9:15-10:45 |
5AM1 |
S01 |
APSCOM3
General Meeting & Symposium |
|
|
A01 |
Ethnomusicology |
|
|
|
Notes |
|
|
|
| Yoshitaka
Nakajima (chair) |
|
|
Dirk Moelants (chair) |
|
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|
****
**
**
**
**
** |
APSCOM3 General Meeting & Symposium: The Latest Research Trends in Asia-Pacific Regions
Organizer: Sun-Hee Chang
Discussant: TBA
Qian Zhang, Shibin Zhou
The Construction and Development of
Music Psychology in China
Catherine Stevens, Emery Schubert
Music Perception and Cognition Research in Australia
Kyungil Kim
Research, Activity, and People in Music Perception and Cognition in
Korea
Shin-ichiro Iwamiya
The Japanese Society for Music
Perception and Cognition
Eddy Chong
Music Psychology Research in Singapore:
A Report |
|
|
1 |
Rytis Ambrazevcius
Psychoacoustical and Cognitive Basis of Sutartines |
|
|
1.
2.
3. |
The presentation
order of the symposium talks will be decided by the symposium organizer, so
are not numbered in this program.
Presentation 4AM1-R04-1 is listed as 5PM2-S01-2 in the Proceedings and
printed program.
Presentation 5PM2-S02-2 is listed as 5PM2-S01-3 in the Proceedings and
printed program. |
|
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|
2 |
Lydia
Slobodian, Ian Cross
Experimental Investigation of Relative Pitch
Salience in Northern Mozambican Damba |
|
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| |
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|
3 |
Parag
Chordia, Alex Rae
What Emotions do Raags Evoke? An Internet-Based Survey
of Listener Responses |
|
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|
|
| 11:00-13:00 |
5AM2 |
S01 |
Psychoacoustics
II |
S02 |
Poster Presentation |
A01 |
|
|
|
|
|
|
|
|
| Masashi
Yamada (chair) |
Mayumi Adachi (chair) |
|
|
|
|
|
|
|
|
|
1 |
Joe Wolfe, Emery
Schubert
They Were Playing Our Song: A Psycho-Acoustic
Explanation of Why Non-Vocal Musical Instruments Determined How We Sing |
|
Poster Presentation (11:00-12:50) |
|
Public Forum & Mini Concert |
|
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|
2 |
Nozomiko
Yasui, Masafumi Kinou, Masanobu Miura
Evaluations of Proficiency of Fluctuating Musical
Sounds Using Fluctuation Strength |
|
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| |
|
3 |
Kirk N.
Olsen, Catherine Stevens, Julien Tardieu
Dynamic Changes of Intensity, Duration and Timbre:
Effects on Judged Loudness and Emotional Arousal |
|
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|
|
| 13:00-14:10 |
Lunch |
|
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|
|
|
|
|
| 14:10-15:40 |
5PM1 |
S01 |
Performance
VI |
S02 |
Poster Presentation |
A01 |
Cognitive
Processes and Music Psychology |
|
|
|
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|
|
|
| Sun-Hee
Chang (chair) |
Glenn Schellenberg (chair) |
|
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|
|
1 |
Teruo Yamasaki
Communication of Emotions with Different
Intensities Through Performances of Professional Musicians and Non Musicians |
|
Poster Presentation (14:10-16:00) |
1 |
Jean-Julien
Aucouturier
Differences in the Cognitive Processing of Music
and Soundscapes Revealed by Performance on Spliced Stimuli |
|
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|
2 |
Roberto
Caterina, Mario Baroni, Luisa Bonfiglioli, Maria Teresa Storino, Michele
Privitera, Iolanda Incasa, Fabio Regazzi
Gestures and Music Analysis in Piano Performance |
2 |
Youn
Kim
"Imagery" and "Force":
Conceptual Metaphors in the Early Music Psychology of the Late Nineteenth and
Early Twentieth Centuries |
|
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|
3 |
Shin
Maruyama
Discovering the Body: Insights into Music
Performance and Education from Highly Practiced Musicians |
3 |
Satoshi
Kobori, Katsunori Takahashi
Cognitive Processes During Piano and Guitar
Performance: An Eye Movement Study |
|
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|
|
| 16:10-17:40 |
5PM2 |
S01 |
Neuroscience and Pathology |
|
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|
A02 |
|
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|
|
| Norman
Cook (chair) |
|
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|
|
Keiko Arakawa (chair) |
|
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|
1 |
Lauren Stewart, Claire
McDonald, Sukhbinder Kumar, Diana Deutsch, Timothy D. Griffiths
A Role for Pitch Memory in Congenital Amusia |
|
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|
|
Heike Biwa: Lecture and Performance
Suzuki, Takatsune |
|
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|
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|
|
|
2* |
Neil McLachlan, Sarah
Wilson
A Neurobiologically Plausible Schema for Auditory
Information Processing Including the Auditory Cortex |
|
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| 18:00-18:50 |
|
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|
|
Farewell
Concert |
|
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|
|
| 19:00-21:00 |
Dinner |
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